komisch welcomes another new artist to its fold for its last release of 2011.p.god aka paolo dioguardi hails from naples in italy. still in his 20s, he makes music that belies his youth and neptune iv sounds like the work of a veteran producer. lead track approaching an ocean planet sees grainy, dense beats and hypntoic bleeps take the lead, but hovering above the arrangement, tethered to the reverberated, doubled up claps, are ghostly, eerie chords. the title track adopts a similar approach, with bursts of metallic percussion underscoring spacey pads as p.god drops a droning, tunneling rhythm track. finally, geometric shadows on iced surfaces sees the young producer opt for a deeper approach. this time the chords envelop a purring groove, but the same sense of understated menace is still audible thanks to the austere hats and bleak subsonic bass. capturing jeff millss estoeric side and the hypnotic magic of sleeparchive, neptune iv is a real techno journey!

phuture shock musik present their 5th release, this time procuring the reliable talent of one of the most slept on producers in the world of bass music - that is simon/off. those in the know will be aware that the austrian native has been simmering in the underground for quite some time now, having laid the groundwork through early releases on haunted audio, a noteworthy ep for immerse records, and further contributions to several other smaller labels. this latest plate by the name of >planetary communication< ep finds simon/off leaning more towards his techno and broken beat side, which has of late began to flourish in his recent productions, and consists of three well crafted afro-tech riddims oozing weighty low-end frequencies, funky drum work and finely detailed percussion. widespread support on sub fm, and increasing support from several other major players in the underground bass scene.

a new album by conforce . hollands deep electronic specialist conforce with his next full-length work, escapism, on delsin records on 2011.

its number 77 here at morris audio and your weekly dose of house and techno! 4 hot producers giving you the beats and basslines you need. starting with swiss duo azuni, their raw chord is a special one. sadly, it will be their last track ever released, as the azuni project has come to an end and gianni and sven will work solo in the future. thank you guys! frenchman julien sandre is what you call a name to watch. his music has been released by labels like tsuba or diynamic and his future looks bright. the flipside offers us housemaster dj aakmael (uzuri, unxpozd entertainment) with some old schoolish beats for all those mixmasters out there.
big with: maceo plax, mic newman, robert dietz, sebo k, huxley, hector, trickski, jordan peak, ekkohaus, james johnston, roberto rodriguez, shaun reeves, boris hotton,..

the next llfo comes as a split ep. swedish master of minimal house and argentinian techno veteran franco cinelli gathering to show underground dance musics status quo. franco cinellis da beatz on the a side, is a funky old school composition. the drums are the main plot of the track. twirling snares and classy rides accompanied by a very familiar sample give us a 1995 feeling. pandemonium on the b side, martinez contribution for this wonderful split ep, is his interpretation of modern house in perfection. as usual tight drum patterns, the for to the floor attitude and a low-fi bassline supported by a trippy vocal sample. probably one of his best work of late.

nice price deal !!! resurfacing a few years major his explorations >at the end of the world<, dan quin throws from left field and scores a hit with his unorthodox take on vocal house music. >everybody knows< is a party-rocker with heart and integrity, remaining loyal to the tenants of dark, exploratory house and techno while superseding the problematic attachment to the past that has retarded the development of song-based dance music. the result is a sprawling, ominous and moving piece of internally conflicted electronica, caught in the ford between a reverence for the work of electronic-pop visionaries like fever ray, and the loyalties of the vast, red-lit expanses of nyc rooted club music. featuring the fresh new talents of brooklyn native tammy k., >everybody knows< is the latest release on dope jams very own in-house record label, a new manifestation of soulful house for a new generation of dance music devotees thirsty for the universal sensibilities of the vocal without the tired cliches of yesteryear.

new label supafrico kicks off with a fantastic sampler 12 inch ep that unearths four stunning funky afro rarities from the vaults. first up is an awesome extended edit of hararis classic >party<, a floor-filling cosmic groover with killer vocals from 1980. next up are the wonderful lijadu sisters with their beautiful duet harmonies. featured here is >not any longer<, one of the stand outs from their uber rare nigerian only lp >horizon unlimited<. side b features the mega obscure 12 inch version of eko roosevelts breathtaking afro disco odyssey >kilimandjaro my home< followed by ezy & isaacs >take off<, an incredible afro funk work out taken from their impossible to find 1974 lp >soul rock<, one of the the holy grails of the afro genre. with all tracks lovingly remastered, this is a must for anyone with a taste for those amazing afro grooves - wonderful stuff.

the man with the mask shouldnt need an introduction: delsin, styrax leaves and his own present outfit have shown the mans ability to maneuver between true school techno, malicious house, break beat bombs and motor city romanticism - all ornamented with redshapes very own mark. for running back, he delivers something like a cross sum of his work. >on da floor< (>da< reads >the<) is subterranean haunted house with a broken heart, while >goom< features a take-your-shirt-off reese-bass-line. if you like it dry, the >bonus beatz< >z< reads >s<) of >goom< will satisfy your needs. bass drum jungle music

in 2011 some berlin based recordshops try to reclaim the streets with the so called >record store day< for the first time in germany. also kann was asked for a limited vinyl to support their concern. on that specific occasion we bring a new two track ep except for the regular series. kann rsd breaks ranks with an extra beautiful edit of the awesome witchwaver sunglitters, composited by nuremburgs essay. b-side builts back the bridge to the label and gives finally >aperture< from sevensol & bender the appropriate space. the track was originally released on kann00 in 2008. for the artwork kann is pretty happy to won over famed – a chummy art collective – for doing an impressing independent work.

just when you thought sixty fives output had ceased, along comes another superb double header of dancefloor gems, jaz on the edit, so you know theyll work. essential!

a return to vr from ben sun, who delves into deeper territory on the original cut, emotive analogue synths washing over a roland drum groove and a swirling female vocal, all underpinned by a warm, rumbling bassline. the flipside features some heavyweight remix work from the prolific deep space orchestra (use of weapons, art, delusions of grandeur) and label mate tyson ballard teaming up with vincenzo (poker flat, dessous). vincenzo and ballards mix is a heavy hitting, moody take on the original, with subtle, dark strings and a growling, evolving bassline, while dso round off the release with trademark fat drums and soaring melodic synth work.

pole recordings reaches its number 10 release, a work by oscar mulero. for this record, oscar has chosen to go for a more mental and elaborate kind of techno, lowering the bpms and softening his sound.

the original track features on the compilation balance mixed by deetron coming in november. spanish producer simon garcia has already impressed with his ability to move effortlessly from techier sounds to the deeper reaches of house music. a talent that has brought him the opportunity of releasing his work on labels such quartz music, composite, supplement facts, nrk and now, perspectiv. >tears in vain< was an instant favourite with perspectiv boss ripperton. throughly road-tested, it was snapped up for the label and is brought to you today backed by a stunning remix from his fellow countryman, deetron. simons original is deep yet progressively driving. matching rising jets and beautiful vocal with a background of wild horns and handclaps. deetron continues to tread the heavenly path that so few can walk, turning in yet another masterful piece. staying true to the original, he adds elegant and classic touches. most pointedly the synth-bathed break, rasping hats and warm oldschool baseline.

after 18 months of intense work in the studio shades of gray are finally ready to release their debut album >soul machine<. the duo have progressively established themselves over the years by releasing consistently solid tracks for labels such as neurotraxx deluxe, salted music, om records, dark energy, tronicsoul and of course their home label beef records. the album is a definite progression for sog, heading deeper into the sampling territory and drawing on whats come before to define their vision of the future sound of house music. reinterpreting influences from soul to disco through the sharpened lens of 2012 production, sog have delivered a stunning collection of tunes that have that instant classic feel that will remain relevant for years to come. this vinyl sampler features the title track soul machine with a deep interpretation by eric volta aka kid dub. on the flip side we have a party monster called back to the future with a huge disco/tech remix by peter horrevorts who has been doing really well lately with his releases on trapez, tronic and beef - special transparent vinyl pressing!

deep series is back! the third deep series features a fascinating symbiosis of two individuals: ekkohaus and santos resiak. the two of them started to work on this project in 2009 and are now finally ready to share it with the rest of the world. during that time, ekkohaus made a splash with a whole array of top releases e.g. 2020 vision, circus company and cargo edition. santos resiak was also having a blast – e.g. after his last release at mothership. the three tracks on the new deep series fuse together the artists still unbroken enthusiasm for deep sounds in one melodic common denominator. >thanx but no< is a homage to the saxophone (btw: played live by robert wuerz). heavy with groovy loops the track creates a free floating ambience reminiscent of a jazz club in new orleans or a night club on an early morning in berlin.
supported by: agnes, dan drastic, dj terry, frank roger, huxley, julietta, kate simko, laurent garnier, miss jools, mr.g, mr. statik, nekes, onur ozer, osunlade, p.toile, m.a.n.d.y, raresh, ray okpara, reboot ...

yeah, coming through the nyc pipeline via plan b recordings, murphy continues to materialize tunes straight from dreams into realities with a 4 track ep of acid, deep house, and ambient tunes that signifies samples from his inner music self. listen to murphys unconscious moments rising to the top of himself, straight from the underground for the underground.

very welcome reissue of the original sire records release of dinosaur s kiss me again from 1978. written and produced by disco legends arthur russell and nicky siano and weighing in at a heavy 13 minutes long, this is a truly hypnotic disco odyssey which takes you on a curling and tension-filled journey through funky piano riffs, signature scratchy guitar work by talking heads supremo david byrne, tumbling drums, stabbing horns and of course mr russell s swirling atmospheric cello solos. all this is held together by myriam valles beautiful yearning vocal performance until the crazy mind-blowing orgasmic final minutes where david byrne goes wild and the whole thing explodes in pure dancefloor meltdown. choose from the a-side jimmy simpson mix or dinosaur s own more stripped down, chaotic but equally compelling mix on the flip. huge in new york especially at nicky sianos own gallery nightclub, later championed by frankie knuckles in chicago and more recently chosen by twitch as the perfect record to end the very last optimo espacio, this is a true disco classic and absolutely essential in any discerning record collection.

in tandem with sub pops deluxe cd and double-lp reissue of dntels landmark life is full of possibilities album, we proudly present a pair of brand spanking new remixes of >anywhere anyone< pressed with utmost care on a dj-friendly, limited-edition 12 inch single. remix work on one side is by silent servant & regis of the berlin techno collective sandwell district—both techno veterans who also collaborate under the name sandra electronics. the flipside contains a remix by mia/radiohead collaborator pearson sound, aka dubstep producer ramadanman, who has been hailed by such modern tastemakers as pitchfork, factmag and little white earbuds.
comes with code for free download of this release.

the eraly years of a decade are good times for exploration, just like in 1993 when we (alex & sasa) first started working together. we rented a huge loft space on ave b & 2nd st. in the east village in manhattan. the winter was tough, we had 16 snow storms and due to a landlord who hated everybody, we had our heating turned off except for a few hours in the morning, sometimes not even that... the only way to stay warm was to wear hats, gloves and scarves the whole winter... but that was fine because nightlife was a lot of fun. there was a good club/party every night. right below where we lived was one of the best after hour clubs called >save the robots<. but one of my favourite parties was >sugar babes< which was at the cbgbs gallery space right next door to cbgbs, every monday night. the dj used to sample parts of the records he was mixing and then just play the loop of the sample and alongside was a drummer playing to it. it was really inspiring. so we wanted to go back to this idea of sound assembly and create a new series for us to work with called >skematics< its like a diagram or manual to help understand the interconnections between the odd parts we find and assemble, an imaginary manual for a new decade that has not been musically defined yet

after his ace remix for nicolas jaar s >space is only noise< here on circus company, our man dave aju is back with an appropriate dose of in-between original music for the fall season. taken from his upcoming album project that uses vintage inherited recordings as sound sources, >all together now< is a beautifully unique track that is guaranteed to move people with its irresistible groove. indeed, the aptly titled jam brings together and bridges gaps of various kinds, from lo-fi and hi-fi to under water and outer space, with classic-flavored dynamic percussive elements, spiraling futuristic leads, and melodic synth work sprinkled with aju s distinctive voice, encouraging us to join in on the live collective claps that accent the cut. the building bass pulses and warm instrumentation stack up toward the ceiling, until a fresh breakdown spreads things out to release the pressure. amsterdam don san proper brings an equally unique and refreshing remix to the table, with a rugged take on the track complete with cool guitar licks, modular effects, and contrasting additional vocal stylings. similarly dynamic in the drum workout department but with an extra rawness, it is a fantastic complement to the original that rounds out the release perfectly.

marcin czubala has been a busy man of late but the paper work certainly hasnt stopped the creativity flowing. whilst setting up his own imprint >your mamas friend<, for which he produced the first release, he is now back with a very strong ep for mobilee records >just away<. as someone who is always moving forward and looking to expand in new ways, czubala applies the same philosophy to his music production and this release presents a very fresh look on modern house music. >just away< features four tracks, each of which are expertly produced and have their own moment in the night, with much more bass, rawness and energy than his previous releases. whilst the title track warms the floor with drawn out synths and a expectant bassline, >memory lane< is an obvious peak time killer. meanwhile on the flip, >not like this< and >pleasure control< carry a calmer deep house vibe, but still enough of a kick to keep the floor moving. enjoy!

for steadfast s thirteenth release we have 3 smoking tracks of deep chunky techno from a collaborative project featuring john daly and the mystery man known as 19.454.18.5.25.5.18. each version guarantee to work the floor.

droid resident artists david flores (audio injection / truncate) and vangelis + vidal vargas (raiz) combine their production elements on the degrees of motion ep. david has been burning up the industry charts with his latest raw vibe alias truncate. the spring/summer season in europe would have been quite silent had it not been for the phrases concentrate and focus. with releases and remixes on enemy, modularz and his own truncate imprint, david has enjoyed strong support from renowned acts dettmann, klock, luke slater, chris liebing, speedy j, dvs1 and countless others. the members of raiz, vangelis and vidal vargas, have also been making waves with their work on historia y violencia, silent steps, gynoid, and droid. on this collaboration david and the vargas brothers combine the dry and groovy tool perfection of truncate with the concept and sense of depth raiz has been developing over the last year. the result is a series of 3 flawless tracks exemplifying the degrees of motion. inertia builds the ep with heavy drum programming and warm pad work. flux takes the energy up a notch with hard swing percussion, sharp analog noise and arctic synthesis. jude law leaves his seed. rhythm completes the cycle with a deeply grounded pulse, accented by an enigmatic call to consciousness and presence. degrees of motion is a solid showcase of this production teams potential.

visky recordings is a brand new prague / czech republic based label proudly announcing its first 12inch release from the german producer and label affiliate boris hotton. hailing from siegen, the belgian born boris hotton has recently released a great ep arctica on feelharmonic records and his production work featured on labels such as om records, liebe detail or troubled kids.
early support comes from ingo sänger, herb lf, dplay, paskal, urban absolutes, filburt, agent schwiech etc.

state of the art work on the dusty binding between house, techno, dubstep and analogue processing.
on side a: a dancefloor smasher with solid 808 beats and absorbing newyorkian piano hooks, followed by a touching acidic inner voyage into motor city sweetest reminiscences.
on side b, a proper piece of functional minimalism and a soulful uptempo excursion into the garage territories. the heat of magnetic recording, the funkyness of the machines, the driving force of the human feeling.

the wave of love & applause surrounding art of tones this year has been phenomenal & well deserved. long running stalwart of the global house scene for nearly 20 years, ludovic llorca has brought his work at the forefront with labels such as f communications & 2020 vision.
already supported & played by steve bug, jimpster, shur-i-kan, axel boman, andre lodemann, the revenge, charles webster, dj deep ...

new album by dj mehdi. born, raised and based in paris, dj mehdi has been producing major french hip-hop artists since 1995 while making great noise (and platinum albums) with his bands ideal j and 113, remixing various electronic acts and composing soundtracks for many french and international films. signed to pedro winters ed banger records, he has released his first full-length lp in 2002 (>the story of espion< virgin), and is about to drop lucky boy around april 2006. new single i am somebody features vocals from canadas finest chromeo and remixes by kenny dope from the mighty masters at work. resident dj at paris legendary pulp club and on radio fg, he now tours all around with busy p and justice.

for this first release, we give you the opportunity to grab 4 fantastic trax done by legendary detroit producer : jason grove. born in detroit, he started his career in the late 80s, dj-ing in underground parties when the techno house movement was just at the beginning. he was invited few times on detroit local stations such as wdrq & wjlb to play. some said he was at that time very close to the >wizard<, helping producing their first tracks with anthony srock as final cut. he had many opportunities during the 90s to release some of his work on various prestigious labels, however, as the guy is really hardcore & straight edge, he prefered to continue producing only with analog gears (dont ever speak to him about a computer or hell get mad !) & record his work on cassette only, selling it to indie stores & giving it to friends for some special events (birthday, graduation ect ... !). we heard this story long times ago & it was only when we were in l.a. last year at pooh-bah record shop that we finally managed to get our hands on one of those tapes (one from june 1991 & the other one done in october 1992) with some of the best & incredible music we ve heard in years, it sounded like kerri chandler before kerri chandler did even start to release any tracks ! those first tapes are finally available after a hiatus of more than 15 years on vynil only (!)

hot creations dancefloor domination continues as they dish out the next release from igor vicente and vernon bara as ultrasone. one of the most promising duos tov arrive on the scene this year, the heady work out - breathe n pop- is a heaving mass of loopy dirty house grooves with a deliciously sleazy pop streak.

next up on murmur sees the addition of a new artist onto our roster of talent. london based hamids debut features the vocal talents of valentina, her sultry vocals laid over an intoxicating deep house ride, perfect for those after hours vibes. up & coming talent jay shepheard provides the first remix. fresh from his latest excursion on this own retrofit label, jay firms up the beats & percussion, adding a catchy b line and twinkling synth work into proceeding. finally, inxec & andrei osyka up the stakes, taking the core elements of hamids original and taking them to new euphoric heights with an altogether more epic vibe.

tiga and zombie nation have joined forces to create the most potent dance record of the year. apocalyptic tension. panic-fueled fundowns. 2012 is approaching. the heat is now – partys over earth!
limited edition triple 10 inch vinyl in full artwork box.

following their remix of ludwig coenen for tlm022 and a string of celebrated releases for nachtstrom schallplatten and perc trax, toronto s frederik hatsav and jamie kidd rejoin the thoughtless fold under their metalogic guise. enlisting new york techno veteran dietrich schoenemann on the title track, the trio delivers a sleek combo of pure analog bass and metallic percussion, resulting in an unrelenting yet stripped-down futuristic club workout. overseeing remix duties is techno legend bryan zentz. his first of two solutions, the empty vessel dub dives deep into late-night territory, employing the irresistible bass line of the original and embellishing it with sparse synth work and echoing atmospheres to stunning effect. as a digital bonus, zentz offers up the kenosis shuffle mix, providing added bounce with a boosted low-end while taking a house-leaning approach in the drum department and adding detroit-style stabs for good measure. on the flip, dark shines is a heady ride, intoxicant atmospheres and dynamic yet subtle arrangements solving as a mystical techno prime. whether exploring the outer reaches of modern techno or twisting up their uniquely abstract take on tech-house, the result is pure quality..

having launched blkrtz to wide spread critical acclaim with his album drawn and quartered in june this year, deadbeat now enlist the aid of two fellow berlin residents who need no introduction for remix duties. working with the source material from the first quarter, scuba dons his scb guise and turns in a slow burning sci-fi techno monster sure to appeal to fans of monolake and his own early work. rife with reverb drenched sonar pings and mechanized groans in the periphery, the track lurches toward its epic crescendo like an alien infested star ship nostromo sliding slowly to its demise into the center of a black hole. bringing things back up into the light on the flip, efdemin tranforms the fourth quarter (calas house) into a chugging deep pocket house journey. riding the cusp of a rubbery bassline and molding the chords into a timeless house organ motif, the originals dubwise leanings are heard loud and clear through a cloud of crackling unintelligible vocal samples and thunderous spring reverb crashes worthy of king tubby himself. without a doubt two floor ready reinterpretations and a great sign of things to come from deadbeats new curatorial ventur

panacustica’s fourth release is amongst cosmic metal mother’s finest work. “time is now” the track in question, defies definition by mastering a style on it’s own, by fusing elements echoing from prog-rock drenched with emotional content into an adult and contemporary way of delivering which is unique to the cmm writing style. the original is melancholic bliss. a vocal line at the center of the piece whispers words about oscar wilde and mr. death accompanied by a cello melody that grows bigger and bigger into an angelic cascade of notes. the track begins and ends in the most bare way with just a drum beat leaving you with the feeling you have just entered a loop where time is irrelevant. commodity place has the second cut of the a side. the duo from rome, known in the global underground of the vinyl tribes for their signature guitar style, chooses to call their mix “experience”, clearly paying homage to the gods of rock, delivering a guitar solo that will fire up your speakers and fill your eyes with the brightest psychedelic colors that we all so desperately need in this age of grey anonymity. the b-side is a full eight-minute mix by the man who needs no introduction and made us all dance since day one, larry heard, a.k.a. mr. fingers. his version is a fast “four to the floor” track, where a shaker drives the house beat into the melodic lines and voice borrowed from the original, making it one hundred per cent dance floor efficient with the modernity and mastery of his touch

the tribute series continues its search for those essential balearic dj gems with number 5 in the series.
familiar inspiration is given a fresh twist through some tender love and care (rumoured to be the work of leftside wobble), bringing it alive again and ready for those special dance floor moments. cut loud on single-sided heavy vinyl, you can enjoy it on the beach, in the basement, or on any kind of dance floor.

düsseldorf based sello is producer treading creative end of the deep house spectrum. after the great feedbacks received on his ep debut on neovinyl and his latest work on wazi wazi, he is back in bussinnes with - feel this -. enter the universe of sello and explore two new tunes by the master of deep feelings! simply quality.
subsequently to listening carefully his new work, we are pretty sure thereís something extraordinary about a lot of these tracks. they definitely recall the sound of the old classics. in this ep you will meet up the soul of this young artist who keep his style fresh and original in any track he signs up.
among the original tracks you will find two remixes featured by two five stars artists: brendon moeller and elef, who have remixed plombir with two very differents results. brendon moellers music is well known in the scene, with releases in third ear, mule and echocord. he made a solid version of plombir giving it a super dub feelings. on the other side elef (dirt crew, back and forth) just twisted the original track with a superb interpretation adding some moody grooves on it.

glass tear groove is the new concept release from drum machine rookie, inkswel. a follow up to the random yet bubbling >get to my party< release, this ep cohesively mashes together drum machine sounds and new wave funk tendencies. the title track featuring vocal funkster zackey force funk (baron zen/jellphonic/mike gao) brings forth a timeless love song vibe into inkswels popping and locking approach to song composition. >good times< is inkswels ode to post disco and pre house sounds, fuzzy yamaha synth stabs and watery chords. backed with the bonus beat vibe of >whos fooling who<, a stand alone banger for beat heads and party animals. also packaged with stellar remix work from ppu/superior elevation s tom noble aka disco tom.

fat beats on phobiq! marco bailey and dany rodriguez deliver us two pearls of masterpiece techno,morning bird scream and experiment are the right combination of driving grooves and hypnotic elements. the genius sian completes the work with a monstrous remix! dancefloor killa!

nice price deal !!! steindor kristinsson, well know for his work in einoma, comes with his first solo ep. dark scapes, advanced beat programming (e.o.g. style!) and oriental tantraistic moods take you straight into unknown territories. limited to 300 copies including code for free download, handnumbered and with beautiful artwork. another highly recommended shipwrec release, who keep on delivering the goods for both the mind and the feet!

safeword is an exciting new act comprising of 2 dedicated us-based producers, clint stewart and marc smith. their low slung, warm and sexy sound already gave way to one ep on paso music and now we find them really hitting their stride with their debut for dessous. lead track >you can you will< introduces us to safeword s world, a sleazy, percussive and intricate gel of textures, flavours and audio fetishes. punchy, bright production characterises this modern house jam. the eventual arrival of a deep and spritual melody is surprising and instantly turns the snaking drum tool of the introductory minutes into an anthemic, autumnal beauty. leading dessous and poker flat man phonique turns his hand to the title track with a cheeky, energetic remix. aimed at the floor we find a more uptempo groove at the heart of his mesmerising tech-house re-work. the soft bell tones floating throughout >tangent< are perfectly melancholic, while tough driving beats urge us forward, making the perfect partnership bewteen cinematic sound design and bass-heavy floor dynamics.

full support by: joris voorn, troy pierce, mauro picotto, joseph capriati, dave seaman, monika kruse, laurent garnier, alan fitzpatrick, marc romboy, pan-pot, kaiserdisco, nick warren, hernan cattaneo and many more!
label chief stephan bodzin is happy to welcome to the herzblut family max cooper and his latest release >miocene<. max is a producer, whose previous work resident advisor compared to that of philip glass and aphex twin and all this due to his meticulous tracks design and wild creativity. in addition, the vinyl comes with a super flu remix of the title track - miocene. the german duo shows off their enviable ability to push each individual sound to its maximum. an ep that is a must to your vinyl collection.

after the success leonid neverminds light is here ep, we invited a few artists to reinterpret and reshape leonids work. first up is dutch duo duijn & douglas, who already released on nowar, who took on thymus stimulator and turned it into a deep and funky time bomb. very basic and strongly efficient grooves layered with riffs and counter-riffs, making you hooked instantly. a wonderful hip-shaker! on the flipside detroits kris wadsworth, with solid releases on nrk and boe recordings, applied a more machine funk approach turning feel into a deep jack workout with leonids original dreamy sounds enveloping kriss rawness. finally miles sagnia, whose releases on his own atmospheric existence and aesthetic audio prove to be timeless gems, also combined the raw and the soulful. a true deep house gem with funky basslines, straightforward beats and a sweet deep almost detroit techy vibe.

during a stay in munich anthony shake shakir heard a demo version of the song >hammering< and was so thrilled by it, that he decided he wanted to release it on his own label frictional.
striking about the 12-inch is the way it was done. the basement is the track >hammering<, a techno track that uses a sample of a work song from an historical recording dating from the 1930s. the swinging-souly voices are combined with a clear and funky beat that pushes you forward, and you wont forget the voice for a long time, even after the track has been listened to multiple times.after that anthony shake shakir created a remix that afterwards was again remixed by splits & slits.

15 years have passed since alex cortex began to create his own vision of electronic music - timeless and beyond trends, without a buzz or hype, steadily winning the following of djs and home-listeners, collectors and critics worldwide. his style can be described as unpredictable to a certain point, while maintaining high aesthetic standards. playful with quotes and references, always low-key and focused on psychedelic immersion into sound that shifts the attention from the artist to the music. kihon is a very personal effort, as suggested by the self-portrait on the cover that puts ear, eye, and mouth -reception and production- into context. the carefully elaborated design of this gatefold double lp speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. this also reflects in the music. alex cortex evades large gestures and obvious quotes, but is certainly conscious of locating his album within a framework of references to other works of electronic music that are important for his own musical evolution. in 11 nameless tracks, kihon takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. the title kihon that relates to japanese martial arts translates to basics or fundamentals, the training of which does not even cease when reaching master grades. those basics that are passed on beyond time are also the foundation of this album. by concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. kihon therefore is also a return to listening, away from a utilitarian perception of music as a background sound. this does not mean it would not work perfectly well in a club context -in the right hands it indeed does- but more notably, kihon is a work of art worth your attention and destined to stand the test of time

john beltran was responsible for some of the greatest ambient techno records of the 1990s, and despite falling into near-obscurity for much of the 00s, his place in the canon has recently been secured thanks to reissues on styrax and millions of moments. here and now, 3 new ambient electronica tracks from john beltran. beautifully produced, generously melodic work of one of technos unsung heroes.
pressed on clear vinyl.

john beltran was responsible for some of the greatest ambient techno records of the 1990s, and despite falling into near-obscurity for much of the 00s, his place in the canon has recently been secured thanks to reissues on styrax and millions of moments. here and now, 3 new ambient electronica tracks from john beltran. beautifully produced, generously melodic work of one of technos unsung heroes.
limited edition of 92 copies on white vinyl.

we are very happy and proud to announce yippiee?s fourth release. your dudes from hannover, filtertypen and benny ferkel just signed five great new tracks for the upcoming indoor season, but for sure they will work also just excellent for the last open air events as well. the yippiee004, as every release by yippiee, again is a hannover based production. yes, even if you didn?t know mario aureo, the only bird that has flown away and now has his nest in berlin is from hannover as well as chris lattner who was born near our wonderful homebase.with the ?all night long ep? mario tried to do a record with different tracks for every part of a long lasting night. the track ?under pressure? is a digital bonus, but the vinyl itself will show you yippiee?s and especially mario?s point of view for the night in a deep and groovy way.
played & supported by dubfire, solomun, butch, martin eyerer, re.you and many more.

manchester duo a.n.d. are at the heart of manchesters thriving electronic music community. releases on labels such as horizontal ground, inner surface music and project squared have solidified their reputation for finely honed and darkly swung techno. here they present two weighty cuts for bristols idle hands label.
>hydrothermal< is a stripped back 4/4 excursion with rattling hi-hats and lots of bass. >lights down low< rolls along on a syncopated techno beat, with deadly snares and a droning, almost industrial feel bringing to mind the work of regis and t++.

support by: losoul, hunee, aubrey, xdb, basic soul unit, fabrice liq, iron curtis, dan curtin, octave one, keith worthy, baaz, dj 3000 …
with detroits kevin reynolds we are proud to welcome one of detroits best kept secrets as the latest member of the nsyde family. starting as an audio engineer at derrick mays seminal techno label transmat, kevin has spent most of his career helping others to shine. honing his production skills in the transmat studios refining a variety of projects, he has accumulated an impressive body of work in the background over time. with the release of nsyde 002 kevin has now set the focus on his solo career and the years of experience and raw talent have truly left their mark. showcasing his savvy for deep mesmerizing grooves, he brings us two tracks for the mind, the body and the soul, ready to conquer dancefloors worldwide. fusing raw tribal elements with warm strings and chords, kevin creates his own fresh trademark flavor, paying homage to the original techno soul of his hometown along the way. keeping traditions alive by retro-perspective modernism. with a unique sound, lauded by the likes of gilles peterson and osunlade, kevin reynolds is the perfect match for the nsyde musical philosophy.
so listen close and let our secret weapon from detroit blow you away!